Pierre Hardy is touching a sore level with the most recent chapter of Hermès Lignes Sensibles.
That the pandemic has, among quite a few other points, robbed us of human touch. He said his mission plainly: “The entire assortment is oriented toward intimacy.” Absent physical get in touch with with other people, Hardy is choosing to go inside of, extending an invitation to deepen the marriage with oneself.
His beginning stage is the stethoscope, made use of by medical doctors to hear to the sounds and vibrations in just the body. “I have tried to mark the passage involving the inside and the exterior: the parts of jewelry that I build are like modest organs that emit sounds,” explains Hardy. “They are subtle pulsations that sort a connection with the invisible.”
This internalised-externalised mentality is articulated in circuits, fall stones, intricate geometric styles, and a sensual fluidity that curves all-around pieces of the system like next pores and skin. “The entire selection resembles a caress,” suggests Hardy. “The necklaces are as tender as the arms close to the neck. I wanted the rings, also, to be at one with the human body, and not merely a gemstone positioned on a finger. I sought osmosis with the hand.”
Naturalism, expectedly, guided Hardy’s decision of elements. “I required to use a assortment of gemstones in colors near to pores and skin tone. I looked for flesh colors, shades particular to the complexion, the lips, or the iris. I seemed for cloudy, milky resources to turn out to be one particular with the skin.” In the À l’écoute necklace, a rose gold path paved with diamonds varieties an asymmetrical constellation which is punctuated with cabochons and tourmalines of eco-friendly-yellow, blue, brown and pink. It’s joined by a bold, glove-like hand jewelry featuring a 4.6 carat black jade cabochon, tourmaline cabochons, citrine and diamonds.
Whilst the À l’écoute exhibits a selected rigidity in its circuitry design, the Ondes Miroir necklace is softer and extra alluring, with a sparkling cascade of rose gold bands studded with diamonds in shades of brown, yellow-orange topaz cabochons and moonstones.
The pièce de résistance is the Contre la peau, a shimmering collar of diamonds that wraps all over the neck like a scarf. Built by connecting chatons (in which the diamonds are established) with minuscule triangles of gold, it resembles, as Hardy describes, “the microscopic framework of pores and skin, with its triangular micro-wrinkles. “We experienced made skin! Skin in steel, gold and diamonds,” he adds. 867 fantastic-cut diamonds, to be correct.
There is a fragility to the selection echoed in the delicacy of colours and light adornment. But like the overall body, it’s not with no structure and solidity. “I appreciate that the human body holds so significantly symmetry it is a prosperity of mechanisms and articulations,” says Hardy. “The jewellery that I build attempts to carry to the surface area these inherent sides of the human system, and to exalt them.” Self-adore, as it turns out, is a little something to be worn, too.
(All photos: Hermès)